The Jazz.com Blog
December 04, 2008 · 1 comment
Black Saints Be Praised
Chris Kelsey, an editor and writer for jazz.com, recently shared his thoughts in this space about the JALC Monk tribute and the Blue Note recordings of Ornette Coleman. Now he turns his attention to Black Saint and Soul Note recordings that recently became available for digital download. Much of this music has been out-of-print, and almost impossible to find in recent years, but an arrangement with eMusic has now given this catalog a new lease on life. T.G.
When Jazz.coms Grand PooBah, the decidedly un-Fred-Flintstone-like Ted Gioia, recently sent an e-mail encouraging his writers to submit a piece dealing with something that happened in the jazz world over the past year, I wasnt sure Id have anything to contribute.
I spent most of 2008 reflecting on historical subjects. Although I wrote a few reviews of current tracks, CD and DVD releases, and live performances, most of my energy was spent on jazz of the 60s through the 90s. I havent even compiled any of the usual year-end Top Ten lists. When asked to recognize the best of the new, lately my response has been Wait til next year! (The distracted jazz critic co-opts the ancient mantra of the perennially disappointed Brooklyn Dodgers fan.) It was looking like Id have to pass on the assignment when, at the 11th hour (actually, the 11th month), a current jazz event transpired that very nearly caused me to shed some rare non-Obama-related tears of joy. It also gave me the subject for my That Was the Year That Was essay.
A couple of weeks ago, the online music service eMusic made more than 500 items from the Italian Black Saint and Soul Note labels available for download. Much of this music had been out of print and/or almost impossible to acquire in digitized form (legally, at least). As someone who came of age listening to the Black Saint/Soul Note releases of Julius Hemphill, World Saxophone Quartet, Air, Steve Lacy, and so many other leading lights of the 80-90s avant-garde, this news was one of the best early Christmas gifts I could imagine. Indeed, as far as Im concerned, its the most important jazz event of 2008.
One of the perks of being a jazz critic is that I almost never have to pay for music. Musicians and labels send me unsolicited CDs by the dozen, for which Im commensurately grateful. Rarely, however, am I sent reissues of classic jazz releases. I have a lot of those old records on vinyl, but they dont play very well on my iPod. When I learned a few years ago that eMusic had made available hundreds of classic tracks on labels like Prestige, Riverside, Contemporary, and Milestone, by artists like Rollins, Coltrane, Monk, Ornette, Cannonball, Miles and so many othersand that I could download 100 of those every monthI signed on the bottom line. Ive been an eMusic subscriber ever since. I still consider it the best 20 bucks I spend every month.
Yet, if I was a satisfied customer before, today Im a blubbering blob of disproportionately obsequious thankfulness. In its heyday, Black Saint/Soul Note regularly won the Down Beat Critics Poll as best jazz label. Its easy to see why, given the embarrassment of riches now available for approximately two bits per track. At the moment, Im downloading albums that, for one reason or another, never found their way into my LP and CD collections; records like Anthony Braxtons Six Monks Compositions (1987), wherein the alto-playing Mad Scientist of Middletownin the company of Mal Waldron and Buell Neidlingerengages the work of The Onliest; Old and New Dreams A Tribute to Blackwell, in which the groups raison d'tre as an homage to Ornette transmogrifies into a eulogy honoring the groups late drummer, Ed Blackwell; and Trickles, a quartet date co-led by soprano saxophonist Steve Lacy and trombonist Roswell Rudd released in 1976, long before I knew who either of those gentlemen were. Eventually, Ill start downloading things I already own on vinyl or disc. That might take awhile, however; theres too much good stuff I havent heard.
Having access to these gems has excited me to the point that Ive spent more time downloading than actually listening. That will change shortly, as my 100 downloads for the month are very nearly spent, in which case Ill have no choice but to immerse myself in the musica joyful task, indeed. I only hope this bounty of buried treasure doesnt monopolize my listening in 2009, and that Wait till next year! doesnt become Wait until the year after next!
This blog article posted by Chris Kelsey.
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Saints be preserved--a soulful note indeed.